to speak to the ending ideas of walking away from making game music, it would be interesting to check out interviews with these composers, like what did the music MEAN to them? or was it just another job... did they even see themselves as artists the way so many of us do today? I helped shoot an interview with a Nintendo of America founder and from what I remember, while he was excited about the success, he was a businessman. He understood the impact his business had longitudinally and was proud of it, were these jobs? or did they have other interests in games as maybe Funachi might have? Just so many questions now...
to speak to the ending ideas of walking away from making game music, it would be interesting to check out interviews with these composers, like what did the music MEAN to them? or was it just another job... did they even see themselves as artists the way so many of us do today? I helped shoot an interview with a Nintendo of America founder and from what I remember, while he was excited about the success, he was a businessman. He understood the impact his business had longitudinally and was proud of it, were these jobs? or did they have other interests in games as maybe Funachi might have? Just so many questions now...
also, was the pay shit? so many questions...